• new model army'nin son modern times'ı. bir carnival bilgeliği.
  • justin sullivan tarafından 2004'de ölümsüzlüğe ulaşan new model army davulcularından robert heaton
    anısına yazılmıştır.
  • yazmadan geçemeyeceğim, i need you i don't need you.
  • justin sullivan'ın new model army tarihinde yazdığı belki de en kişisel şarkısı.robert heaton'ın anısına ithaf edilmiştir.
  • bakıyoruz şarkıda aliterasyon var, asonans var, diyoruz ki bazı ses tekrarlarıyla melankolik bir atmosfer sağlanmış şarkı sözlerinde... peki küçücük bir sözün, mırıl mırıl söylenmiş bir "and then it was gone" lafının her şeyin önüne geçmesini kim açıklayabilir? şarkının içine yedirilmiş bütün bir nma külliyatı mı, yoksa o kutsal anlar mı...
  • an itibariyle kulaklarda sevgili hrant dink için çalan şarkıdır. yanında the hunt'ın sepultura cover'ı ve gözyaşları.all of this gelecek sonra.
  • "(...)
    and i’m thinking about it all – and i’m sorry and i'm not sorry.
    our time was made up of confused emotions and little whirlwinds
    and all that stuff we couldn’t really talk about but most of all
    it was sealed in sacred moments like these
    and then it was gone..."

    finaliyle geçmişi diken diken eden şarkı.
  • sözlerini de yazalım tam olsun.

    all of the mistakes that i have made
    all the things i should have seen but i looked away
    all the things we should have shared that we kept to ourselves
    all the things that we shared we should have kept to ourselves
    and i guess it’s the modern way – the phone call that comes
    flying out of a blue autumn day and suddenly everything
    goes so and quiet and soon everyone seems to be alone
    with their own thoughts
    and now it’s as if i’m standing
    beneath a torrent of falling water, feeling things i don’t
    want to feel, remembering things i don’t want to remember
    but we said what we said and we made what we made

    and so i say the things i have learned to say
    thankful for words that can be used
    we were both like waves not able to break
    rolling and turning and turning and rolling
    but still not able to break

    and i’m numb, i’m numb like when you’ve been driving
    so fast for so long that it feels as if you’re hardly
    moving at all, my body rigid with tension, my sould all
    wound up like a twisted ttree, the way we used to be when
    we sang of passion and justice and faith was easy and
    celebrated in a ritual of curling smoke, arms all raised up
    towards the lights…
    and we said what we said but we made what we made
    and so by now you’ll be further on that i ever went; and is
    it still painless? do you get to float and look down and do
    all of that?
    tonight would be as good a night as any..
    you’ll see the city alive like a great resting animal
    lying in the lea of the hills and the moorland and
    breathing little patterus of fire out into the cold dark
    coming of winter. and i’m warming my back against
    the heat of a bonfire – like the ones you so loved so build
    and i’m thinking about it all – and i’m sorry and im not sorry.
    our time was made up of confused emotiongs and little
    whirlwinds and all that stuff we coulnd’t really talk about
    but most of all it was sealed in sacred moments like these
    and then it was gone…
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